I think of it as a modern myth, not just for children, but for all ages (although I wonder what age this would best suit – not for young children, I wouldn’t have thought). Karen Armstrong in her informative and most helpful book A Short History of Myth writes, “We are meaning-seeking creatures.” “ … mythology is an art form that points beyond history to what is timeless in human existence, helping us get beyond the chaotic flux of random events, and glimpse the core of reality.” Concerning the novel and myth she writes:
“Yet the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not ‘real’ and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives long after we have laid the book aside.”
Yes, these books are exactly that. I read the books between July and August and they are all compelling reading, both in terms of storyline (with many parallel worlds) and in ideas. I am still contemplating the ideas and themes. My copy of Karen Armstrong’s book is in a Limited Signed Edition of Box Sets and includes an essay by Philip Pullman, which I had forgotten was there. In it he writes, “A myth is intoxicating, because it is something other than just a story.” How right he is and what a good description of his own trilogy.
I find it impossible to do justice to the plot in this post. I think the best thing is to read the books and look at Philip Pullman’s website. This is my brief and inadequate summary:
The main characters are Lyra and Will, who are from different worlds and the story is essentially about their journey into adolescence, from innocence into knowledge. “Dust”, seemingly similar to the idea of original sin, plays a large part in this. Once children reach adolescence Dust is then attracted to them, as they lose their innocence. The first book concerns the search for the source of Dust in Lyra’s world.
Will is introduced in the second book, The Subtle Knife. The action takes place in several universes and Will becomes the bearer of the Subtle Knife, which enables him to cut windows from one universe into a parallel one. In one of these worlds he meets Lyra and they join forces.
Daemons, representing the soul, feature in Lyra’s world where they are separate physical entities. A daemon takes the form of an animal or bird and in children can change form until the child becomes an adult. Then he or she assumes a form reflecting the person’s personality, for example a daemon in the form of dog reflects a faithful person, a cat an independent person, etc. In Will’s world (our world) the soul is an integral part of a person, and is invisible and non-physical.
The Amber Spyglass completes the trilogy, climaxing in a perilous journey through the Land of the Dead and the greatest war ever between the worlds and heaven, with the defeat of heaven and the death of “God” in the form of the Ancient of Days, who is not the Creator, but a demented and powerless being, whose form loosened and dissolved: “A mystery dissolving in mystery.”
The trilogy abounds with themes, alluding to Milton’s Paradise Lost in a retelling of the Creation and the Fall, where the “Authority” (the Ancient of Days) is a fallen angel and Lyra is seen as a second Eve. The relationship between the body and soul is evident through the concept of daemons, introduced in Northern Lights and this is developed throughout until it becomes explicit in The Amber Spyglass, particularly in the description of the passage through the Land of the Dead. Lyra has to leave her daemon behind and it’s at this point that it becomes evident that Will’s soul or daemon is also unable to travel with him. Lyra lives up to her name here (Orpheus in Greek mythology is able to charm beasts with his lyre), where she is able to win round the harpy “No-Name” and release human beings from the Land of the Dead.
The question of the nature of consciousness and when it becomes self-consciousness for example during adolescence is explored. Adam and Eve are expelled from the Garden of Eden, when they become self–conscious and aware of evil and sin. Dust which is invisible to the human eye is the physical representation of original sin. It is attracted to adults and is the means of conferring consciousness and wisdom. It seems to me to be based on the biblical account of God creating Man from dust and also on the concept of dust being dirty and thus sinful, but it is also the element that indicates a living being.
Of course, one thing that comes to mind in reading these books is the question of their relationship with Christianity. I’m not surprised to read that they have attracted much criticism as being anti-Christian. One of the characters is Mary Malone, an ex-nun who has lost her faith on her realisation that there “wasn’t any God at all … The Christian religion is a very powerful and convincing mistake, that’s all.”
Philip Pullman’s view expressed in an interview in Surefish (Christian Aid) in November 2002 - (see here) is that he is telling a story. He is not Mary, she is a character in his book – he is somewhere between being an atheist and an agnostic.
Another enlightening interview was recorded between Pullman and Dr Rowan Williams, the Archbishop of Canterbury in 2004 – see here.